Good song!
It is too short but you did a good job on the instrumentation and scary aesthetic. I bet this could've blown up a lot if you'd expanded on it more. But it's good as is.
-Tin3Sn.
Good song!
It is too short but you did a good job on the instrumentation and scary aesthetic. I bet this could've blown up a lot if you'd expanded on it more. But it's good as is.
-Tin3Sn.
AMAZING!
Trois you always manage to make even the most unlikely of styles become favourites to me. For this one, I'm impressed by this sounds like actual ancient music yet also unmistakable Newgrounds goodness.
I think I can absolutely see why this is one of your faves. You had much fun performing this and it's a great carol (LOVE that extra beat inserted in the verses). That shout towards the end really captures the spirit of this and makes this actually feel like a medieval party of sorts. Really surprised nobody noticed it.
As usual, your ability to both perform and layer all those vocal parts, especially at the age you made this song, is nothing short of amazing (I couldn't perform one let alone like seven and mix them all at plus make them sounds this good).
(BTW One of my friends LOVES ancient music and I think he really took to it too when I played it to him.)
Again I admit there is absolutely zero reason I love this piece as much as I do. I don't particularly like ancient music, and usually am diametrically opposed to religious stuff. But somehow you just make it work flawlessly and I love it! This is actually what solidified Gaudete as one of my favourite carols. Erasure's version is highly creative and initially sparked my interest but yours made me certain that I'd redo this carol on my Christmas album, and a year later I can confirm it's also making it on an Advent Calendar I will be publishing here.
Super-duper-uper great job on this! And merry Christmas/Meepmass/all of it.
-Tin3Sn.
This might almost be 2 years old and I may not be as politically charged as you, but I have to say that this song is as usual nothing short of incredible Trois!
In terms of the lyrics, this song is one of a select few ones with political themes that still has a universal appeal. It's not about some specific issue, like, say, World War II, and you're having a perspective kicked down your throat. Rather this's sentiment almost everyone could understand. Whatever political party or side of a spectrum you're on, if you are involved with politics, you could easily imagine yourself. That extension of "tired" in the choruses also works so well because it really makes you feel the fatigue and desperation in it. It's hardly what I would have done but you really do surprise me every time.
I know exactly how it feels to become wearied and need a new song, both figuratively and literally. More than a few times I've seen my life and realized that without change, I would be ending up in a bad future. In fact, I listened to it tonight because I realized my life needed a huge overhaul last night. In this crazy world, for risk of plagiarizing, "I don't want to live my days gasping hard for every breath that I should take".
Musically, this is as excellent as any of your other songs. You did a great job of combining both a piano ballad with a more folk/rock inspired guitar solo.
In all, Troisnyx, this is one of the few political songs that has more merit than just describing a political issue well. It speaks to a greater truth, and I really believe that. This is a very incomplete review, but I hope you, and for that matter all of us, can stay safe in these times and forever more.
-Tin3Sn.
Oh. My. F**ing. God. THIS WAS AMAZING!
I went to this expecting some orchestral trance symphony or something like that, but that expectation quickly disappeared. With that said, I couldn't be happier. From the moment the intro came on I got absolutely hooked on this. Then as I listened it transported me to a new world, so much so that I can't totally remember all of it. Since I can't really break down an eight minute song in one of these reviews, I talk about how everyone did individually:
ADR3-N, if you were the one who rapped, you absolutely tore to hell here. As rap goes it's maybe the most spirited performance I've ever heard in that genre. It's not merely cool or pretentious it's actually soulful. Definitely one of this song's highest points by far.
Trosinyx I almost got chills when I heard your voice come in singing that snippet I first heard on BlueSky all that time ago. Especially after hearing that powerful speech just beforehand about never feeling beaten-down or discouraging, I swear something about the lyrics works absolutely perfectly with this sentiment.
BBank, that guitar solo was as smooth as silk! It really made this song's ending something special and definitely makes me feel those blue skies and make me want to fly as I always had the potential to but never realized it.
AceMantra, Albe, and tapestoppa, I couldn't always tell exactly what you were thinking in your instruments, but if this song is as good as I think, you all just totally shredded too. I loved every moment of the sound design on this piece. Especially those chord progressions at around 5:20, it's just absolutely heaven. I myself have both witnessed and created some incredibly complex and aberrant chord progressions and some of those changes are still actually out of this world.
Finally, MixRPD, great job on the mastering! You really gave this piece its special sound.
I don't know if I can say all the things I want to about this, there's too much to love. It's practically setting a new bar for my music standards as I write this. I'm giving this a 5-star, instant favourite, and all of you guys follows for this. THIS RULED!
-Tin3Sn.
Hell yeah dude, Thank you! :)
I did a lot of resampling and some background synth work :)
Thank you so much!
My process was
1) take the original loop and extrapolate it into a longer but workable structure
2) sequence bass underneath it
3) add the Sytrus presets I used in the original loop for consistency purposes
4) encourage the others to send things they'd like thrown in — drums, guitar, synthesisers, vocals, anything
Sending people a full structure with chords and having them throw everything and the kitchen sink at it has been my MO since Variations on Endless Handbag happened in 2021. ☺️
Hey! That means a lot! Especially since NOT ALL my takes ended up in this final mix, and I really struggled to get everything done on time. Like, I just had a massive life upheaval, was in hiatus, and condensed 120 takes into 62 tracks, then comped into 7. I had to re-record all the vocals from the previous year and did a full choir of 80s vocals on top of rapping, plus I think all the drums you hear sequenced, partially ripped from an unreleased demo from... a year and a half ago now I think.
I plan to release that whenever I get the go ahead. Just have been waiting and waiting for this day to come, and the full version of Clouds to come out. It's inspired me for a decade plus and I can't even. I'm honored beyond words.
This project has pushed me to my limits and beyond. I didn't think I could sing that high, if you listen to that final chorus! Thank you so much for your kind words!
Oh boy. This is a big one. Prepare for a deeply personal review.
I remember hearing this first in a game called A Christmas Blackout I played 4 years ago. At the time I'd have been 13-14 years old, which is important for contextn. That game was one of my favourite Carmel games and still is a core part of the Christmas season for me. But what made that game really stick out was the music. Even at that young, tender age I knew there was something special about this song, but didn't know what to say about it. Well 4 years later, I think I can, and what better time to review this than the first day of November when Christmas is on the horizon?
In terms of raw originality, this song is very much unique. I get into more reasons on this later, but it has a very characteristic sound much unlike others. It mixes video game music and hymns extremely well while still managing to remain an original composition. Kudos to you!
Musically this song is one of the best in just about every aspect I can think of. You've absolutely nailed the sound of this Trois-san! It strikes a perfect balance between being complex and rich yet light as the snow, which is only helped by your selection of instruments. Using piano, sleigh bells, English horn, clarinet, flute, pizzicato, a french horn and maybe some drums for a song can only make it be amazing. The music itself is also extremely well-produced and so crisp sounding.
Beyond this I have to say that there is so much development so much for a song under 2 minutes or for that matter compared to 99% of songs I've heard here. This is true for just about everything this song offers. The chord progression is expansive and vast, definitely appropriate for Christmastime and Winter. The use of multiple instruments to carry the song also certainly makes this feel so powerful and unique. And finally that melody. Oh man. I don't know what else to say about it other than that it's just one of the greatest ever. There's something so unique, so perfect, wired into this sequence of notes that just makes me feel like you are a genuine musical genius. It goes so many places and takes on so many moods without ever feeling like too much to bear. I've listened to this and felt ways that no other song makes me feel. In short, I cannot get over how beautiful this melody and this piece is, it's dozens of levels above anything I've ever created. It has so much development and character that it's almost unbelievable.
And finally, the theme representation. Here's my assessment of how well you did:
Above all of this, I've always known this song by its deeply almost palpable religious imagery.
You know, it never really evoked the usual religious themesz for me. It never sounded like Jesus being born, or a prayer for peace, or a mass during advent, although let's be real, the connection to Christmas hymns is undeniable. Believe it or not, this song is religious for a somewhat distinct reason.
It's always made me think of Christmas charity to a degree so strong it rivals watching A Christmas Carol. This takes on three components. In part, I am referring to the media's love of encouraging others to make donations to various charities this year (which I know run everywhere by December). To another extent, I am referring to some religions that implore their followers to be similarly charitable this season (although I don't really want to discuss any specifics here). But it's so much more than that. It's so much more than just doing something for these more general kinds of causes (which are not necessarily bad, don't get me wrong. In fact, these can be quite noble).
This song, for as long as I've listened to it seriously, makes me think of people who give around Christmas time because they truly care for others. Not merely because other people are telling them to or they just want to fit in with commonly held ideas about Christmas, but because they genuinely, from the bottom of their heart, want to see other people have the best lives they can, especially around Christmas. When I hear this I think of a town covered in snow and decorated with lights, full of people rich and poor out and about. Then, I think of those who suffer in the cold, with only a few scant clothes to keep them warm. Once the main theme sets in, I immediately think of those who can donate giving to those in need, out of nothing more than love for their neighbours. I can practically feel the good will, smiles, and warmth through this theme.
More than anything, I think this is what makes this piece so special to me. Had this been just a generic song about giving for the sake of "Christmas is giving season", I think I would've long forgotten it by now. But it's not one of these generic songs. It speaks to something far more special and beautiful and does so with so much passion and heart and vigour thatit's become the archetype of religious music to me. For these reasons alone, it's set the standard for what I expect great music with religious themes to do.
This is not to distract from your own vision of Anticipation. Not at all. You completely nailed the themes of "Anticipation" and Advent. This also very much makes me think of Christmas coming up and happy days spent with one's mates as well as various traditions done around Advent. In terms of "the kind of waiting that will lead to great joy", that is also inextricably linked to the music. I'm far from an expert in this, but in terms of "the second coming of Christ", the way this song represents that is probably about as good as any of the other images it represents, but again, no guarantees from me.
I might not have anywhere near the same fervour and zest for religion as you do Troisnyx, but this piece has legitimately moved me on one of the most spiritual levels I can think of. It's helped me reflect on myself and see so many things in the world and in music I'm not sure I would have seen otherwise. In a lot of ways, this song doesn't just evoke imagery of light in darkness. It IS a light in the darkness. More times than you would think I've found myself bored or in need of support during hard times, and somehow I've always thought about this even when it isn't Christmas. Yet the season doesn't matter. This song has always shined so bright in my heart when I think about it, often making me remember the spirit of Christmas. With that flame inside of me I've persisted to the point where I can write this review.
If you, Troisnyx, somehow were able to composer this song entirely outside of Christmas or Winter and still preserve its fundamental musical character, I would think this is well above your average Newgrounds song. With Christmas and Winter themes, this actually becomes one of the greatest songs ever. Probably the greatest Christmas song of the 2010s and I'm not exaggerating. It is a song that has shaped me in so many ways that it deserves a favourite and 16 stars instead of the usual 5.
Merry Christmas Troisnyx.
-Tin3Sn.
Happy 8 years of Hexennacht!
Hmm this sounds more a mix of Ghibli and Chopin rather than pop. I
I did however very much get the idea of fate in this piece. It feels like being out at night in late Autumn or early Winter and falling in love with someone as the wind blows. Performance great as usual. The mix of both styles I mentioned was also very-well done. First half was more Ghibli, second half more Western, but both had elements of each.
Great job!
-Tin3Sn.
Sounds good.
I was definitely able to feel the wind in this through the arpeggios. And great performance too.
Nice work!
-Tin3Sn.
I'm glad the arpeggios helped to evoke an idea of the wind.
Thank you very much for the kind words!
OMG Waterflame uploaded an absolute shredder of a song!
Great chorus at 1:09. Had me tapping my toes all the way. Nice piano too.
Waterflame you never fail to impress us!
-Tin3Sn.
Sounds great.
I love songs in Japanese, and this totally sounds like an anime OST! It's got epic instrumentation and a great melody too.
Great job on this!
-Tin3Sn.
Just call me Tin3Sn.
Contact me at RealTin3Sn@protonmail.com
Background art (cute pink baby) by volframia20. Not by Tin3Sn. Licensed under CC-BY-NC 3.0: https://creativecommons.org/licenses/by-nc/3.0/
Age 18
Student, composer
School of Rock
Flash Game Heaven
Joined on 8/18/24